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传统的 “cancellature” (擦拭)概念反映出一种自然与文化之间的完美平衡,仿佛驱散智能科技因为过于确信技巧所带来的风险,尽管它看起来变化无常,但我们仍然担心面对其不可改换的事实。
Limited edition sideboards like true art pieces
Famous artists and designers well known on the international scene such as Aldo Rossi, Emilio Tadini, Bruno Gregori, Hsiao Chin, Robert and Trix Haussmann and Fausta Squatriti exclusively created for Laurameroni paintings to be reproduced, using the ancient inlay technique, on a sideboard characterized by essential lines.
Laurameroni Art Collection sideboards feature a mosaic created through various kind of wood veneers, in different essences and colours, patiently combined to reproduce the artist's original painting.
The Intarsia Collection was created to appreciate and relive the local tradition of an ancient technique: that of inlay. They are a product designed to be reproduced in a limited edition and in numbered pieces, signed and certified by the artists and craftsmen themselves.
Intarsia also represents direct contact with simple and pure raw materials, taking shape through the manual skill and scrupulous dedication of our craftsmen, reinvented and modernized by the imagination and experience of our designers.
The sideboards of the Intarsia Collection are design furniture transformed into real paintings.
Limited edition sideboards like true art pieces
Famous artists and designers well known on the international scene such as Aldo Rossi, Emilio Tadini, Bruno Gregori, Hsiao Chin, Robert and Trix Haussmann and Fausta Squatriti exclusively created for Laurameroni paintings to be reproduced, using the ancient inlay technique, on a sideboard characterized by essential lines.
Laurameroni Art Collection sideboards feature a mosaic created through various kind of wood veneers, in different essences and colours, patiently combined to reproduce the artist's original painting.
The Intarsia Collection was created to appreciate and relive the local tradition of an ancient technique: that of inlay. They are a product designed to be reproduced in a limited edition and in numbered pieces, signed and certified by the artists and craftsmen themselves.
Intarsia also represents direct contact with simple and pure raw materials, taking shape through the manual skill and scrupulous dedication of our craftsmen, reinvented and modernized by the imagination and experience of our designers.
The sideboards of the Intarsia Collection are design furniture transformed into real paintings.
Le Formiche Nere: the art of speech and rebirth
Emilio Isgrò is an Italian artist and writer, known for the artistic language of "cancellation": an identifying mark describing the death of the language used by mass media and its rebirth in artistic work.
In Isgrò's works, the written texts are no longer those temples of knowledge kept in libraries, but works of art exhibited in the galleries to be contemplated by visitors; texts involving questions about their essence for the simple fact that some words are now illegible, erased with white-out or hidden with markers of different colours.
Another element used by Isgrò, as exhibited on our Formiche Nere sideboard, are insects, which cover white pages and empty spaces, confusing the meaning of the words. The ants express on the one hand the metaphor of decay and on the other a renewed vivification of manuscripts.
The erasure by Emilio Isgrò gains new conceptual life on the inlaid surface of our art sideboard, ready to stand out among the many magnificent works of the author, like a rebirth of the word enriched by new potentialities, activated by the reader's imagination.
Le Formiche Nere: the art of speech and rebirth
Emilio Isgrò is an Italian artist and writer, known for the artistic language of "cancellation": an identifying mark describing the death of the language used by mass media and its rebirth in artistic work.
In Isgrò's works, the written texts are no longer those temples of knowledge kept in libraries, but works of art exhibited in the galleries to be contemplated by visitors; texts involving questions about their essence for the simple fact that some words are now illegible, erased with white-out or hidden with markers of different colours.
Another element used by Isgrò, as exhibited on our Formiche Nere sideboard, are insects, which cover white pages and empty spaces, confusing the meaning of the words. The ants express on the one hand the metaphor of decay and on the other a renewed vivification of manuscripts.
The erasure by Emilio Isgrò gains new conceptual life on the inlaid surface of our art sideboard, ready to stand out among the many magnificent works of the author, like a rebirth of the word enriched by new potentialities, activated by the reader's imagination.
Emilio Isgrò
Emilio Isgrò 出生于西西里,是一名意大利艺术家兼作家,以他在其艺术作品中使用的擦拭技术而闻名。Isgrò 在 1956 年首次发表自己的诗集“Fiere del Sud”(出版商 Arturo Schwarz)。1964年,他首先开始擦拭百科全书和其他文本,为视觉诗歌和概念艺术的诞生和发展做出了个人贡献。
Emilio Isgrò
Emilio Isgrò 出生于西西里,是一名意大利艺术家兼作家,以他在其艺术作品中使用的擦拭技术而闻名。Isgrò 在 1956 年首次发表自己的诗集“Fiere del Sud”(出版商 Arturo Schwarz)。1964年,他首先开始擦拭百科全书和其他文本,为视觉诗歌和概念艺术的诞生和发展做出了个人贡献。