Tray

Romani Saccani Architetti Associati

laurameroni modern low tables in marble wood or special finishes

Family of coffee tables with tubular base in etched metal with a "tray" effect, available in different shapes, designs and sizes, and customizable finishes.

Top available in all the essences of the collection and in dyed or special wood, in special finishes, in marble and in back-lacquered glass.

Tray composition in four sizes and five finishes: Rye Straw, tin back-painted glass, Ziricote, Alambra Brown marble and Garza finish.

The Tray coffee tables, featuring a modern and imaginative design, are crafted to facilitate stunning compositions of juxtaposition and overlapping. They provide an opportunity to experiment with materials, shapes, and colors, enabling the creation of flexible, artistic, and personalized pieces and arrangements.

RS 24 in Rye Straw and Garza, RS 23 in special Ziricote wood, RS 22 in tin back-painted glass and RS 21 in Alambra Brown marble.

Materials &
finishes

Features and
information

dimensions

discover

Armchairs, Sofas & Low Tables

Discover the catalogue featuring sofas, armcharis and accessories for the living room, customizable in finishes and materials.

Laurameroni products are highly customizable, for a unique and different furnishing.

Refined Customization

Laurameroni is a prestigious brand in the world of high-end furniture, renowned for crafting elegant, functional, and exquisitely designed pieces.

Each item created by Laurameroni embodies the perfect blend of simplicity and decorative flair, marrying elegance with practicality.

What sets Laurameroni furniture apart is its high level of customization: customers have the opportunity to personalize the design and choose from a wide range of finishes to create a unique piece that perfectly suits their style and needs.

Romani Saccani Architetti Associati

Fellow students since 1990, Michele Romani and Mauro Saccani, opened their associated studio in 1999.

Each of their concepts stems from a conscious inspiration from the past, as an act of synthesis between fantasy and concreteness.
A "mimesis" in the classical sense of the things of nature that are worthy of being reproduced, mediated by their own interpretation and by a constantly evolving sensitivity.